p001, 2010
P002, 2010
P003, 2010
Thursday, September 23, 2010
Dragon Ball Z Doujin Kamehasutra Full
Pencil + pen + china ink on paper
p001, 2010
P002, 2010
P003, 2010
p001, 2010
P002, 2010
P003, 2010
Monday, September 13, 2010
Ruger 10-22 Bullpup Stocks
EGO - LA REVUE - LYON
L digital art or the infinity of possible
design has always been a necessity for Eric Lacombe: "Since childhood, I have this need to express things Interior feel good ". Web business, it seemed natural to test their creativity on the computer tool. He just has to open a file on photoshop and draw directly on the screen. " I vicinity of a sketch, I zoom up on a part then I attack details. I like drawing on paper. " The possibilities are endless, he created the brushes from photos or out of any materials, creating average lasts two weeks: " I like from an idea and then over time my feelings are changing, then I change, I add items based on what I feel. "
aestheticize the "monstrosity"
melancholy or dark atmosphere, a universe mostly monochrome or color reminiscent of old photographs of the last century, being strange to look sad, but the characters who have lived and still tell us something, so entering the world of Eric Lacombe. "I like freaks, people who are not in the standard, which are considered" ugly ". These people affect me more than others because they are singular. I cultivate this notion of difference ". The subjects represented are often undefined, asexual, the works are untitled, everything is done to avoid direct reception: "People see what they want to see" .
But if we delve more deeply into the details, then grabbed all the minutiae of the composition.
imagine the interiority
Whether hidden behind a scarf, bent, compartmentalized, or composite, or crossed branches studded lunar craters, face attracts attention, but on something other than itself. The figurative evaporates even sometimes in favor of pure abstraction as if it were merely a reflection of an inner complex, made of crack, micro-cracks, chiaroscuro. "All these people I represent, they are like the mirror of my moods" .
Alexandra Eretzian 
L digital art or the infinity of possible
design has always been a necessity for Eric Lacombe: "Since childhood, I have this need to express things Interior feel good ". Web business, it seemed natural to test their creativity on the computer tool. He just has to open a file on photoshop and draw directly on the screen. " I vicinity of a sketch, I zoom up on a part then I attack details. I like drawing on paper. " The possibilities are endless, he created the brushes from photos or out of any materials, creating average lasts two weeks: " I like from an idea and then over time my feelings are changing, then I change, I add items based on what I feel. "
aestheticize the "monstrosity" melancholy or dark atmosphere, a universe mostly monochrome or color reminiscent of old photographs of the last century, being strange to look sad, but the characters who have lived and still tell us something, so entering the world of Eric Lacombe. "I like freaks, people who are not in the standard, which are considered" ugly ". These people affect me more than others because they are singular. I cultivate this notion of difference ". The subjects represented are often undefined, asexual, the works are untitled, everything is done to avoid direct reception: "People see what they want to see" .
But if we delve more deeply into the details, then grabbed all the minutiae of the composition.
imagine the interiority
Whether hidden behind a scarf, bent, compartmentalized, or composite, or crossed branches studded lunar craters, face attracts attention, but on something other than itself. The figurative evaporates even sometimes in favor of pure abstraction as if it were merely a reflection of an inner complex, made of crack, micro-cracks, chiaroscuro. "All these people I represent, they are like the mirror of my moods" .
Alexandra Eretzian
Sunday, September 12, 2010
Lindeydawnmckenzieinswimmingpool
ERIC LACOMBE: TRADITIONNAL ARTWORKS
20, Acrylic + paper + pen on canvas
14 + Acrylic on canvas paper
13 + Acrylic on canvas paper
19, Acrylic on wood + paper paper + china ink on canvas
10 Acrylic + paper + china ink on wood.jpg 
16 Acrylic + Pencil on canvas
20, Acrylic + paper + pen on canvas
14 + Acrylic on canvas paper
13 + Acrylic on canvas paper
19, Acrylic on wood + paper paper + china ink on canvas
10 Acrylic + paper + china ink on wood.jpg 
18 Acrylic + Pencil + pen on broken wood 
16 Acrylic + Pencil on canvas Lorazapam And Benedryl
Schema President Jimmy
Sims 3 Mac Disk Image
What Should Be Included In An Academic Poster
digital art
Eric Lacombe, painter and designer, takes us into a world between fantasy and thaumaturgy.
characters tortured, disfigured faces without mouths sometimes, we try to deliver a message screaming from the inside to us to decipher it according to our imagination.
Eric Lacombe, painter and graphic artist, takes us to a world between fantasy and miracle worker. Characters tortured, disfigured faces sometimes no mouth, trying to convey a message screaming from the inside: we decipher it according to our imagination.
finely made, the curves are perfect, a clear and precise picture of our worst nightmares. His characters take us to the depths of existential malaise. It is this discomfort that drives our thinking, which gives us la voglia di più saperne Tues, sentirsi suo mondo più Vicini al tanto e inquietante Tetro, magico e terrificante.
Eric Lacombe, painter and designer, takes us into a world between fantasy and magic. tortured people, disfigured faces, sometimes without a mouth trying to send us a message to shout from the inside out: according to our imagination to decipher.
perfect and fine curves, as pure and precise snapshot of our worst nightmares.
Eric Lacombe, painter and designer, takes us into a world between fantasy and thaumaturgy.
characters tortured, disfigured faces without mouths sometimes, we try to deliver a message screaming from the inside to us to decipher it according to our imagination.
finely made perfect curves, as a clear and precise snapshot of our worst nightmares. His characters take us to the depths of existential malaise. And it is precisely this unease that pushes our thinking, that makes us want to know more, feel closer to his world both bleak and disturbing, magical and terrifying. 
Eric Lacombe, painter and graphic designer, edges us Into his world and thaumaturgy Between Phantasmagoria. Tortured characters, disfigured mouths Without Faces Sometimes, try a message to Deliver Us From The Inside by yelling: our turn to fathom it out According To Our Imagination. Some perfect curves delicately made, like a clear and precise snapshot of Our worst nightmares. Those characters bring- us to the very depths of the existential unease. And that's Exactly this unease That Carries Our reflection, That Makes us Want to know more, get closer to His World of Both loomy and Deeply moving, and terrifying magic. 
Eric Lacombe, painter and graphic artist, takes us to a world between fantasy and miracle worker. Characters tortured, disfigured faces sometimes no mouth, trying to convey a message screaming from the inside: we decipher it according to our imagination. finely made, the curves are perfect, a clear and precise picture of our worst nightmares. His characters take us to the depths of existential malaise. It is this discomfort that drives our thinking, which gives us la voglia di più saperne Tues, sentirsi suo mondo più Vicini al tanto e inquietante Tetro, magico e terrificante.
Eric Lacombe, painter and designer, takes us into a world between fantasy and magic. tortured people, disfigured faces, sometimes without a mouth trying to send us a message to shout from the inside out: according to our imagination to decipher. perfect and fine curves, as pure and precise snapshot of our worst nightmares.
His characters take us deep inside with the existential malaise. 
And it is this very discomfort that gives us desire to know more of it, close his sad and shocking, auberhaftes touching and terrifying universe. "
And it is this very discomfort that gives us desire to know more of it, close his sad and shocking, auberhaftes touching and terrifying universe. "
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